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Please note: SL2 Core Audio Version 1. SL4 Core Audio Version 1. To quickly navigate back to the old deck view you have several options:
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Specifications Price: Serato and controller software Serato has always done things a little differently when it comes to how its software works with hardware. No set-up, no mapping, no audio configurations. Serato was missing these people completely, and you can therefore almost hear the marketing thinking from Serato as it decided to introduced its last major DJ controller software offering, Serato DJ Intro. Hence we all guessed that some kind of upgrade would be made available at some point.

If you want to be told when the software will be available for a particular controller, you can be emailed by Serato by registering here. Where is all this leading? By simplifying its offerings, the company is clearly attempting to reduce consumer confusion, broaden its appeal, and strengthen its desired market position. But how good is Serato DJ Intro? What of the much-lauded new Midi mapping functions? The juicy iZotope effects? The new layouts?

Serato DJ 1. No need for any of this on a Mac. Serato DJ Intro offline mode: This software remains compatible with your existing Serato library, and all your tunes are there as before when you open up. The offline player So as mentioned, first thing you see if you open Serato DJ without a compatible controller plugged in is the Offline Player you can go and do it now — downloads the software from serato.

Here you can set loops, cues, prepare crates, audition tracks, set beatgrids that tell Serato where the first beats of bars are etc.

This puts a wealth of waveform information into a large square panel in the centre of the screen. The Serato DJ main screen: Note how default mode now has vertical, not horizontal, waveforms.

Overall, as with ITCH, waveform feedback remains streets ahead of any other DJ software — richly and usefully frequency coloured, and highly detailed. Waveriding remains lots of fun here. The decks are now considerably bigger and contain more detail. Note that BPM now shows to only one decimal place.

Outside of the white circle, there is now permanent visibility of cues and loops — up to eight of each, although you can only display four of each at a time. One major addition is VU meters, both for individual channels and for master; with the VU meters come individual gain and master out controls, that — certainly on the Pioneer DDJ-SX, currently the only controller I can test this with — work independently of those on the hardware. But here the alternative views do offer real choice; certainly enough to make up for the removal of the daytime mode, which I am sure some DJs will miss.

Switching to Horizontal offers the same feedback as Vertical, except the middle section expands from a square to a rectangle, all the waveforms flip 90 degrees, and the gaps down the far left and far right of the screen disappear.

This makes better use of the available space, resulting in more of the waveforms on view. This view is really very close to the current version of Serato ITCH, although you do additionally completely lose the BPM aid waveform views, which is a shame. Library view is very similar to ITCH, with rudimentary waveform and deck information squashed to the top of the screen to show almost a full-screen view of your library section. Library section The changes here are evolutionary. Gone are the full album artwork views; you can now view the album art as tiny and unadjustable squares in a list view, or not at all.

The library view knocks out nearly everything to give you a screen-full of just your tunes. File handling itself is unchanged; it is the best file handling system in any DJ software. You can use this to autosort, say, all house from The module buttons Now moved out of the library section and to the top of the screen are the Record, FX and SP-6 sample player buttons.

While the Record panel — used simply to start a digital recording of your set — remains practically identical, there is much to talk about regarding the other two. Once you start switching in these panels, by the way, things start to look distinctly Torq 2.

There are also buttons to switch on and off other parameters, which is new to Serato DJ. One of the Serato DJ FX sections, showing the two extra buttons added to control parameters of the new iZotope-sourced effects. Much has been made of the iZotope heritage of these new effects. I have always personally found the effects in ITCH underwhelming especially the delay effects , so I was interested to dive in deep and see how good these sound.

I auditioned them all on some Ultrasone Signature DJ headphones, which I think allows me to give you a definitive view on how good they really are: Sounds great, amazing control level. Great fun. Same controls as above, but a more lo-fi tape echo feel Reverb. Loads of space, and excellent control.

In short, lots of control here Flanger. Flanger is like a short delay fed back into itself, and is related to phaser, although with a more timestretched quality. No idea what the latter does, but you can hear the difference when you engage it! Low pass filter — progressively removes high frequencies, but feeds the signal back into itself for a more musical, resonating quality than mere EQ.

The classic one-knob filter. Let me explain: Thus you can chain them for more unique sounding results. Overall, the effects are excellent. You still get four banks of six samples, routable through any deck or straight to master, with a master volume control. You just drag from your library. You can instantly double a track from one of the playing decks by dragging it to a sample slot; all relevant info is carried across too pitch, key, loops, cues etc — this is a good way of freeing up a deck seamlessly, for instance.

You can also load up to six samples at once: Select six tracks in the library, drag them to the first slot, and all six slots load. Note that sample slots remain filled between sessions, so you can store favourites easily.

There are three playback options per sample slot. Each sample slot has its own volume, waveform display, and sync button with BPM counter, plus repeat and eject buttons. The first two SP-6 players of six, in extended view, showing the output routing and master volume controls.

The SP-6 could be massively improved by allowing each bank of effects to be assigned to a deck. So bank A could be assigned to deck 1, bank B to deck 2 etc. That would mean the jogwheel, tempo controls and transport would work on the sample bank as it if were a single music file. Midi mapping. For the first time, you can map functions to external controllers. A well thought out SP-6 sample player controller could be an instrument in its own right.

To use Midi mapping, you need to attach a Midi controller and install any necessary drivers, and assign it to a free Midi channel if necessary. From here, hovering over any control brings up a Midi Assignment box showing its currently programmed status. So you click a control on the screen, then move a control or touch a button on your Midi device. The Midi assignment box confirms the link. For some controls, you can also choose between various Midi data types. A Serato DJ 1. Your current set-up is always remembered when you next load, but if you want to program multiple Midi set-ups, you can load and save them from the Midi page in the setup section.

But for users of simpler Midi controllers who — thanks to Serato DJ becoming an upgrade from Serato DJ Intro — will shortly be able to use this software, Midi mapping could be used to map cue and loop points, or the effects section, or any other controls not properly represented on smaller DJ controllers.

The set-up screens No massive complex options area here like some software. The DJ Preferences panel in the Setup window. Click to enlarge. Sync and beatgrids Beatgrids are simply markers that show where the beats are, and also where the first beat of a bar falls.

You can adjust the beatgrids from the offline mode or by clicking the beatgrid button on either deck. But should you? For DJ Intro users, absolutely. Just a bit of the simplicity has been sacrificed. You certainly need more screen real estate once you start using four decks and, for example, samples. One of the biggest leaps is Midi Learn. The Serato DJ four-deck extended mode: Also, what happens next is going to be interesting.

How will SP-6 develop? Will The Bridge for Ableton Live finally make it across? When will as it surely must Serato Scratch Live merge with this software? Are you looking forward to your controller getting this? Are you a DJ Intro user, and would you upgrade? Are you a user of some other DJ software, and might this persuade you to give Serato a go? Please share your thoughts in the comments.

Professional DJ software for professional DJs

Serato DJ Pro 2. The new releases include an updated refresh of the user interface, an offline practice mode, and bit support. Keep reading for the full details. In the new version of Pro, there are a number of major changes that catapult the software forward. In text summary, the new features in Serato DJ Pro 2. An offline Practice Mode: Practice Mode 64 bit support:

VIDEO: Download Serato DJ Pro

Serato DJ Intro Serato DJ Intro is a Free DJ Software download, designed for people who love music. Serato DJ Intro allows for traditional two deck mixing. Release Notes. 30 May, Serato DJ Pro support for the Pioneer DJ DDJ-SX3 controller; Fixed metadata sometimes not written to M4A files on. Serato DJ Intro Serato DJ Intro is a new software designed for people who love music. Serato DJ Intro allows for traditional two deck mixing of digital music.

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