11 Tricks For Sound Design in MASSIVE
Trick 1: This can cause the bass to be muffled, the song mix to become muddy, and even cause phase issues. This will give the bass or any other sound a good, clean, wet sound as well as better stereo.
Massive 1.3 ( Vstplugins4flstudio.com)
Trick 1: This can cause the bass to be muffled, the song mix to become muddy, and even cause phase issues. This will give the bass or any other sound a good, clean, wet sound as well as better stereo. This is usually the starting point of how I apply the Dimension Expander to basses, but remember to always experiment because different techniques work for different sounds. Trick 2: You can somewhat replicate the following filters very easily: Trick 3: Restart Via Gate Turning on Restart via Gate is one of the single most important things to do when designing complicated basses in Massive.
In a nutshell, all wavetables the original audio source for Massive sounds have cycles that they play through. By default, when a patch has multiple wavetables or uses the modulation oscillator, these cycles will start at random times which causes the sound to slightly change each time.
This is incredibly destructive to the bass design process, as you will hear a different sound every time you play your patch, as well as get phase issues. These issues can cause your sound to be thin and raspy, instead of thick and heavy. This will force the wavetables and modulation oscillator to start in the same phase position every time, which will allow you to hear the same sound every time you play your patch. Try moving the phase positions around a little bit and listen for sweet spots.
This is a great way to drastically change your sound with minimal effort. Trick 4: First turn the voices up by dragging the unison number up. I typically use on basses see example sound. Move the slider up slightly on the Wavetable Position and listen to how it affects the stereo of your sound.
This, coupled with the Dimension Expander and Small Reverb, is a great way to add more stereo to your basses and other sounds. Trick 5: Pitch Glide Using Pitch Glide on rhythmic bass patterns has become extremely popular lately. This is a simple trick. This will make the notes glide even when they are not legato. This one is an easy one, but I wanted to include it for anyone who may not be familiar with it.
Trick 6: Although it is basic, it is crucial to fully understand if you want to make complex basses. This changes the tone of the bass without affecting the pitch. This is a very useful tool for sculpting vocally basses, as well as many other things.
The important thing to understand is HOW the Intensity knob functions in different warp modes: Spectrum With the intensity turned all the way up, Spectrum mode keeps the wavetable as it sounds by default how it would sound played in iTunes Turning the intensity down will cause the sound to morph into a sine wave, regardless of the wavetable. Modulating the intensity on Spectrum mode has similar effect to a low pass filter.
Understanding the bend modes and what you can do with them is crucial to complex bass design. Trick 7: First, it causes basses to sound sloppy, loose and thin. Second, it can cause you to not know why something in your sound is happening or sounding the way it does. This was one of the first things I figured out early that helped me get better at bass design at an extremely fast rate.
Spend A LOT of time on the modulation source you use, and really dive into all the options in it. Modulation is basically the most important thing in complex bass design, so why not keep it simple? Use just one modulation source and your sound design will become a lot less complicated, even when you are making complicated sounds!
Trick 8: I only have one producer friend who uses performers as much as I do, and he is the best sound designer I personally know.
Try using the performer for a change. This means the modulation visual will only move in one direction, like an envelope in Massive, making setting the start and end point much easier. You can customize the shapes. In bass design, you may sometimes want a more vocally sound than what an LFO shape will offer, and performers are the solution to this! Save your favorite performer patterns and you can use them on new sounds, which saves a ton of time and leads to consistency.
Trick 9: The best advice I can give you is to dive right into it and starting testing different things there are only two knobs! It takes a lot of time and practice to get modulation to sound good on the Frequency Shifter, but a good thing to try is using the stepper. Try putting the first position of the stepper all the way to the top, and the rest all the way down see example sound.
Play with the rate. The Frequency Shifter, especially used with modulation, can give you that thick, detuned sound, similar to basses in songs such as.
Download Talking about Native Instruments is speaking about one of the most important companies when it comes to developing products for the world of music creation by means of software. And among its main products, one of the most important is without a doubt Massive. This synthesizer, that can be used in standalone mode or as a VST by means of any compatible audio sequencer, provides intense sound specialized in the creation of baselines and leads. To do so it has three maximum quality parallel oscillators and an incredible handling and control.
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What you’re looking for Marlene is Sytrus. It a versatile fm synth plugin native to fl studio producer edition. IF you understand Fm synthesis your imagination is. Description: 1 Item Type: Tops 2 Tops Type: Tees 3 Gender: Men 4 Sale by Pack: No 5 Collar: O-Neck 6 Sleeve Length(cm): Short 7 Style: Casual 8 Sleeve. This video covers setting up and using NI Massive with FL Studio. [aside title=”NI Massive & FL Studio”] Get the most from using FL Studio & Massive! [/aside].